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  • May 25, 2019
  • Strong and sensitive. Re-cover studies the limits of Finnish glass. Interview with Saara Renvall.

    Saara Renvall, Tell a bit about your newest project? what inspired you to make it?

    Re-cover is a collection of glass objects that are placed within or  
    hanging from one another. Each piece consists of an element that  
    serves as a socket or a pod to other elements attached to it. Contrary  
    to the conventional glass design, the joints are purely mechanical  
    with a strong visual identity. The aim is to join sensitive and  
    fragile material – glass – using standard hardware store items. The  
    glass elements are hand blown with traditional methods, whereas the  
    joints are made of threaded brass rods, bolts and rubber washers.

    I  had the initial idea for Re-cover more than 10 years ago. Saara Renvall

    For a while, I have wanted to work with glass. The process of blowing  
    glass is really fascinating, and the material itself is strong and  
    sensitive, and very different to the materials I usually work with. I  
    had the initial idea for Re-cover more than 10 years ago, and I  
    thought about it every now and then. It took me a while to make it to  
    the glass blowing studio and start playing with the concept.

    Re-cover started as a study of nesting forms. I wanted to create two  
    elements that would be laying within each other. I basically started  
    to explore and idea where one element would contain other forms.

    Finnish glass design and artefacts are known through the classics 
    like the Aalto vase, Mariskooli bowls, Toikka’s birds and Kivi-  
    tealight holders. Very practical and obviously also made some time  
    ago. How do you find the future of Finnish glass? Could Re-Cover  
    change how we see Finnish glass design since it’s an elegant project  
    but at the same time there is an edgy roughness in its materials?

    The history of Finnish glass design is rich, for sure. I hope my  
    project will be part of continuing the tradition, possibly creating  
    new openings and discussion around glass.

    I guess it comes 
    natural to me to test methods that are somewhat unorthodox. Saara Renvall

    As my background is outside of the glass industry, I guess it comes  
    natural to me to test methods that are somewhat unorthodox. In this  
    case, the new thinking is in making visible something that is normally  
    hidden (the joint).

    I totally fell in love with the process and methods of blowing glass.  
    In fact, the whole process is so capturing and enchanting that I find  
    it hard to create artworks that are more interesting than the process  
    itself.

    How was it like to work with the glass blowers in Nuutajärvi? and 
    did the end result execute the way you foresaw it?

    Working with glassblowers Manuel Diemer and Alge Julija was just great  
    and very humbling. Normally, I control the process myself and do most  
    things with my own hands. This time, I was basically a bystander and  
    an audience. I learned so much just watching the artisans at work.

    I had two session in Nuutajärvi: first we produced the prototypes and  
    then the final pieces. The project kept changing throughout the  
    process. Once I started to understand how things work and got to feel  
    and touch the prototypes, everything started to evolve: colors  
    combinations, forms, masses, thicknesses of materials and the  
    combination of everything.

    At the moment your works are on show in Galerie l’elac in 
    Switzerland. Where  would you love to see your works shown next?

    The exhibition in Galerie l’elac, called U-JOINTS, investigates  
    products through their joints. I am happy to be part of it and have my  
    work presented next to great designs and designers from around the  
    world.

    It would be lovely to introduce the whole collection of Re-cover in an  
    art gallery or other contemporary venue in Helsinki. My all-time  
    favorite exhibition venue and a constant source of inspiration is the  
    Finnish National Museum. Having my work presented there, in dialogue  
    with the history, would be quite something.

    http://www.saararenvall.fi/

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